17
Twitter tells me about the new deaths, the way a reluctant friend might. I’ve never been good with numbers, dates, rates, state lines, or sums and their parts. I look at a map of Los Angeles and I see Brooklyn. I see slim trees where there should be sea, my cracked hands where there should be sky. When I search the top left dresser drawer, I see the stack of letters and their envelopes, each only ever opened once, read once. All loosely arranged following the move.
On my laptop, a yoga instructor with a body like a quill pen says, Feel your eyes soften in their sockets. I don’t think this can be done, and not surrounded by boxes. I writhe on the floor like a sardine fighting against its can before surrender, and my dog barks as though I’m wounded. I pant because I am. He watches with worry and then boredom as I shadow puppet in the dark.
I wonder what the stranger who packed them into a box thought of the pile, the federal address in all caps on the front of each. Or if they simply dumped them in with the reference books, a purple picture frame, tangled cords. When I hold the letters it’s always as a single unit, with both hands loose like I’d grip an old photo, thumbs and index fingers barely touching the edges. There is nowhere to sink the thoughts that follow, nowhere to bury them without the risk of roots. I return them to the drawer, all of us away from the light.
Published August 13th, 2020
Jiordan Castle is the author of the 2020 chapbook All His Breakable Things. A Pushcart-nominated essayist and poet, her work has appeared in Cagibi, Hobart, New Ohio Review, Third Point Press, Verdad, Vinyl, and elsewhere online and in print anthologies. She is a resident poet and essayist for the LA-based quarterly food and culture magazine Compound Butter. In 2018, she won the inaugural Pigeon Pages essay contest and is now writer and curator of the journal’s series The Long Pause… Jiordan has an MFA in Poetry from Hunter College and currently lives in New York City with her fiancé and their dog.