Oscar Howe, Eagle Dance (1960). Casein and graphite pencil on paper. Sheet: 28 1/2 × 20 15/16in. (72.4 × 53.2 cm) Image: 26 7/8 × 19 7/16in. (68.3 × 49.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Drawing and Print Committee
Against Her
by Allison Field Bell
after Sappho
four steps to the phonebooth,
you could have her in your
arms, just her body breaking
under touch the scarf at her neck
a noose you have seen her before
the one with violets in her lap
here is the anchor of her
scalp the hard plastic phone
cradle here is your whole
self against her whole self
the one with violets in her lap
writhing fighting here is your
sloppy drunk mouth and the
edge of her jaw clamped tight
against you your lips moving
across her lips against her cheek
you will teach her skin purple
flesh balled up in your fists
the one with violets in her lap
fuck the violets she will learn
to hate pretty things can’t you
see she doesn’t want you doesn’t
know you and she is just a woman
you should know all women learn
the value of stones stolen fragments
of sea folded into palms
dead weight in our pockets.
Published September 28, 2025
Allison Field Bell is a PhD candidate in Creative Writing at the University of Utah, and she holds an MFA in Creative Writing from New Mexico State University. Her debut poetry collection, ALL THAT BLUE, is forthcoming in 2026. She is also the author of two chapbooks, WITHOUT WOMAN OR BODY (Poetry, Finishing Line Press) and EDGE OF THE SEA (Creative Nonfiction, CutBank Books). Find her at allisonfieldbell.com
Oscar Howe (Mazuha Hokshina or "Trader Boy", May 13, 1915 – October 7, 1983) was a Yanktonai Dakota artist from South Dakota, who became well known for his casein and tempera paintings. He is credited with influencing contemporary Native American art, paving the way for future artists. His art style is marked by bright color, dynamic motion and pristine lines.