Anna Ostoya, Extasy, 2020. Oil on canvas, 75 x 60 inches. Image courtesy the artist and Bortolami Gallery, New York. Photo: Kristian Laudrup.

Anna Ostoya, Extasy, 2020. Oil on canvas, 75 x 60 inches. Image courtesy the artist and Bortolami Gallery, New York. Photo: Kristian Laudrup.

 
 

AFTER THE GENDERED LYRIC

by Julianne Neely


 

Zenith. I shave my hair and soon I am

made dangerous. After the gendered lyric,

oh, miraculous fugue that saves the earth,

no. Nails to hang your kill.

I polish my fingers and soon I am made

plastic. After the gendered lyric,

ecologically, opal stretching over an eternal

universe, no. I am hysterical, embellished,

violent, fanatical, melodramatic, mad,

stylistic, concrete, certain, and flamboyant,

after the gendered lyric. I repeat myself,

making the alphabet over and over, no. I make

a cage. After the gendered lyric, anxiety

of animal. You put all of the cows to sleep

and now I begin to pray. After the gendered

lyric, Holy Hosanna. In an act of contrition,

I memorize my mother and father patterns,

no. I wash my face with the paper the butcher

wraps the meat in. After the gendered

lyric, the bow and quiver. I hate allusions,

no, I do not shout the names of saints, I do

not disappear that way. After the gendered

lyric, I do not use the word daughter. You do

not use the word mother, no. After

the gendered lyric, I almost title this Elegy

I almost hear the words confessional and delicate and truth about the female body.

Published March 7, 2021


Julianne Neely received her MFA degree from the Iowa Writer's Workshop, where she received the Truman Capote Fellowship, the 2017 John Logan Poetry Prize, and a Schupes Fellowship for Poetry. She is currently a Poetics PhD candidate and an English Department Fellow at the University at Buffalo. Her writing has been published in Hyperallergic, VIDA, The Poetry Project, The Rumpus, The Iowa Review and more.



Anna Ostoya is an artist based in New York City. Born in Krakow, Poland, Ostoya earned a BFA from Parsons School of Art and Design in France, an MFA from Städelschule in Germany, and attended the Whitney Independent Study Program in New York. Her work has been exhibited all over the world, and is part of permanent collections in the Museum of Modern Art, the RISD Museum, the Polish Art Foundation, and Zachęta National Gallery. Ostoya’s most recent exhibition, Motions at Bortolami Gallery in New York City, can be viewed online.