AFTER THE GENDERED LYRIC
by Julianne Neely
Zenith. I shave my hair and soon I am
made dangerous. After the gendered lyric,
oh, miraculous fugue that saves the earth,
no. Nails to hang your kill.
I polish my fingers and soon I am made
plastic. After the gendered lyric,
ecologically, opal stretching over an eternal
universe, no. I am hysterical, embellished,
violent, fanatical, melodramatic, mad,
stylistic, concrete, certain, and flamboyant,
after the gendered lyric. I repeat myself,
making the alphabet over and over, no. I make
a cage. After the gendered lyric, anxiety
of animal. You put all of the cows to sleep
and now I begin to pray. After the gendered
lyric, Holy Hosanna. In an act of contrition,
I memorize my mother and father patterns,
no. I wash my face with the paper the butcher
wraps the meat in. After the gendered
lyric, the bow and quiver. I hate allusions,
no, I do not shout the names of saints, I do
not disappear that way. After the gendered
lyric, I do not use the word daughter. You do
not use the word mother, no. After
the gendered lyric, I almost title this Elegy
I almost hear the words confessional and delicate and truth about the female body.
Published March 7, 2021
Julianne Neely received her MFA degree from the Iowa Writer's Workshop, where she received the Truman Capote Fellowship, the 2017 John Logan Poetry Prize, and a Schupes Fellowship for Poetry. She is currently a Poetics PhD candidate and an English Department Fellow at the University at Buffalo. Her writing has been published in Hyperallergic, VIDA, The Poetry Project, The Rumpus, The Iowa Review and more.
Anna Ostoya is an artist based in New York City. Born in Krakow, Poland, Ostoya earned a BFA from Parsons School of Art and Design in France, an MFA from Städelschule in Germany, and attended the Whitney Independent Study Program in New York. Her work has been exhibited all over the world, and is part of permanent collections in the Museum of Modern Art, the RISD Museum, the Polish Art Foundation, and Zachęta National Gallery. Ostoya’s most recent exhibition, Motions at Bortolami Gallery in New York City, can be viewed online.